also: The "Rhythmicon", The "Terpistone", The "ThereminCello", The "keyboard Theremin" and the Story of Leon Termen.
Lev Sergeivitch Termen playing the "Theremin"
The principles of beat frequency or heterodyning oscillators were discovered by chance during the first decades of the twentieth century by radio engineers experimenting with radio vacuum tubes. Heterodyning effect is created by two high radio frequency sound waves of similar but varying frequency combining and creating a lower audible frequency, equal to the difference between the two radio frequencies (approximately 20 Hz to 20,000 Hz). the musical potential of the effect was noted by several engineers and designers including Maurice Martenot, Nikolay Obukhov, Armand Givelet and Leon (or Lev) Sergeivitch Termen the Russian Cellist and electronic engineer.
One problem with utilising the heterodyning effect for musical purposes was that as the body came near the vacuum tubes the capacitance of the body caused variations in frequency. Leon Termen realised that rather than being a problem, body capacitance could be used as a control mechanism for an instrument and finally freeing the performer from the keyboard and fixed intonation.
| Termen's first machine, built in the USSR in 1917 was christened the "Theremin" (after himself) or the "Aetherophone" (sound from the 'ether') and was the first instrument to exploit the heterodyning principle. The original Theremin used a foot pedal to control the volume and a switch mechanism to alter the pitch. This prototype evolved into a production model Theremin in 1920, this was a unique design, resembling a gramaphone cabinet on 4 legs with a protruding metal antenae and a metal loop. The instrument was played by moving the hands around the metal loop for volume and around the antenae for pitch. The output was a monophonic continuous tone modulated by the performer. The timbre of the instrument was fixed and resembled a violin string sound. The sound was produced directly by the heterodyning combination of two radio-frequency oscillators: one operating at a fixed frequency of 170,000 Hz, the other with a variable frequency between 168,000 and 170,000 Hz. the frequency of the second oscillator being determined by the proximity of the musician's hand to the pitch antenna. The difference of the fixed and variable radio frequencies results in an audible beat frequency between 0 and 2,000 Hz. The audible sound came from the oscillators, later models adding an amplifier and large triangular loudspeaker. This Theremin model was first shown to the public at the Moscow Industrial Fair in 1920 and was witnessed by Lenin who requested lessons on the instrument. Lenin later commissioned 600 models of the Theremin to be built and toured around the Soviet Union. | 
The 1920 production model of the Theremin |
The heterodyning vacuum tube oscillator became the standard method of producing electronic sound until the advent of the transistor in the 1960's and was widely used by electronic musical instrument designs of the period. The Theremin became known in the USA as a home instrument and featured in many film soundtracks of the 1940-50's, it also appeared in several pop records of the 1960's ( the Beach Boys "good Vibrations" being the most well known example) but never overcame it's novelty appeal and was used for effect rather than a 'serious instrument', most recordings employ the Theremin as a substitute string instrument rather than exploiting the microtonal and pitch characteristics of the instrument. Leon Sergeivitch Termen went on to develop variations on the original Theremin which included the "Terpistone", The "Rhythmicon", the "keyboard Theremin" and the "Electronic Cello".
The first electronic rhythm generator.
The Terpistone was an adaptation by Leon Termen of the Theremin for use by dancers. The control antena being made in the form of a huge metal sheet hidden under the floor. Movements of the dancers in the area above the sheet caused variations in pitch of the Terpistone's oscillators due to the capictance of the dancers bodies. This instrument was used for several 'exotic' dance, music and light shows throughout the 1930's.
A Theremin with the capacitance controls replaced by a standard keyboard.
A fingerboard operated Cello like variation of the Theremin that enabled continuous glissando and tone control.
Lev Sergeivitch Termen playing the Theremin at Stamford University 1991 |
The story of Lev Sergeivitch Termen is like some nightmarish John LeCarre novel. Prof. Theremin was born in the Russian city of St Petersberg in 1896, he would become one of the most important pioneers in the development of electronic music through his instrument the Thereminvox (commonly referred to as the Theremin). Prof. Theremin first invented a prototype Thereminvox in 1920, he worked upon his invention for the next few years, whilst also relocating from Russia to New York. A US patent was granted to Theremin for the invention of the Thereminvox in 1928. |
In 1938 Theremin was kidnapped in the New York apartment he shared with his American wife (the black ballet dancer, Iavana Williams) by the NKVD (forerunners of the KGB). He was transported back to Russia, and accused of propagating anti-Soviet propaganda by Stalin. Meanwhile reports of his execution were widely circulated in the West. In fact Theremin was not executed, but interned in Magadan, a notoriously brutal Siberian labour camp. Theremin was put to work on top secret projects by the Soviet authorities, culminating in his invention of the first "bug," a sophisticated electronic eavesdropping device. Theremin supervised the bugging of both the American embassy, and Stalin's private apartment. For this groundbreaking work he was awarded the Stalin Prize (first Class), Russia very highest honour.
|
Lucie Bigelow Rosen |
After his rehabilitation Theremin took up a teaching position at the Moscow conservatory of music. However he was ejected for continuing his researches in the field of electronic music. Post war Soviet ideology decreed that modern music was pernicious. Theremin was reportedly told that electricity should be reserved for the execution of traitors. After this episode Theremin took up a technical position, and worked upon non-music related electronics . Ironically his invention the Thereminvox, was becoming vastly influential in America, a development of which he was completely unaware. Before his death in 1993 Prof. Theremin made one final visit to America lecturing, and deminstrating his Thereminvox. Indeed the instrument is still being used today, and has an avid folowing of Theremin-o-philes. |
Theremin
Enthusiasts Club International
: An international society for theremin owners, builders, players.
A
Brief History of Electronic Instruments
: Thierry Rochebois's site contains excellent information on early
electronic musical instruments.
Shift
Magazine
: An online magazinezine with Theremin related articles
Electronic Music
Foundation
: Theremin's visit to Stanford in 1991.
Leon Theremin
: A Biography of Leon Termen.
Rosalyn Tureck
: Rosalyn Tureck is a Bach pianist who studied with Professor
Theremin and played at Carnegie Hall in 1932.
Tommie Joensson's
Theremamia!
: Covers the Scandanavia theremin scene.
How
I Fell In Love With The Theremin
: Thereminist Charlie Lester's experiences with the theremin.
Neil's
Theremin Project
: Neil Amison built the updated TECI theremin, his site describes
the process.
William
James Blakeney's Theremin Site
: Historical information and other synthesizer/electronic music
pages at this site.
Folk Music
Theremin Page
: An informative theremin page.
The Theremin
at Sunsite
: Contains the article, "A Brief History of the Theremin"
by Bob Moog and some pictures of the theremins his company still
builds.
Bob Sexton's
Theremin Page
: Another Theremin site.
Dave
and Barb's Theremin Page
: Covers developments in the UK.
The
UK Theremin Constructors Home Page
: This site mentions Longwave Instruments' theremin products and
lists contact information.
The Video Theremin
: information on purchasing the Video Theremin.
Orion Pictures - THEREMIN!
: Orion pictures site covers their release of Steve Martin's documentary.
Diarmuid
Pigott and James Coleman
: Pictures of a theremin and harmonium concert.
The
Odd Music Page
: A page dedicated to strange music available in CD form. clips
in .AIF format from "The Art of the Theremin" by Clara
Rockmore.
Gyrofrog's
Theremin site
: An electronic magazine-article about the theremin. Also a section
on the telharmonium.
